Papers

“Typology and Narrative in a Book of Latin Sacred Music.” Ninth Annual Symposium on Medieval & Renaissance Studies, St. Louis University, St. Louis, MO, June 21-23, 2022.

“The Siren’s Loom: Leonora Baroni and the Fantastici of Rome.” 19th Biennial International Conference on Baroque Music, Royal Birmingham Conservatoire (Birmingham City University, UK) July 15-19, 2021.

“Typology and Narrative in a Book of Latin Sacred Music.” Renaissance Society of America Virtual Conference, April 13-15, 20-22, 2021.

“Religion and Cultural Exchange in Music for the Doge of Genoa.”  18th Biennial International Conference on Baroque Music, Cremona, Italy, July 10-15, 2018.

“Myth, Mythology and the Partitura delli sei libri de’ madrigali of Carlo Gesualdo.”  American Musicological Society, Midwest Chapter, Spring 2018 Meeting, Ball State University, Muncie, IN., April 21-22, 2018.

“G. B. De Marini and the ‘Genoese Nation’ in Rome: Patronage, Piety and Politics.”  Early Modern Rome 3, University of California, Rome, Rome, Italy, 5-7 October 2017.

“A New Source of Molinaro’s Motectorum quinis, liber primus (1597).” Renaissance Society of America, Chicago, IL, 30 March – 1 April 2017.

“Victoria and the Motet in Genoa: Models and Influences.”  Mapping the post-Tridentine Motet (ca. 1560-ca. 1610): Text, Style and Performance, The University of Nottingham, 17-19 April 2015.

“Barocci’s Crucifixion with Saints and Music for a Sorrowful Mother.”  Second Annual Symposium on Medieval and Renaissance Studies, St. Louis University, St. Louis, MO, 16 June 2014.

“Simone Molinaro’s Madrigali a cinque voci and Genoese Patrons in Rome.” Medieval-Renaissance Music Conference, Certaldo, Italy, 7 July 2013.

“Simone Molinaro’s Madrigali a cinque voci: Musical Patronage and Cultural Exchange.”  American Musicological Society, Midwest Chapter, Fall 2012 Meeting, Indianapolis, IN., September 2012.

“Piety and Patronage of a Roman Immigrant: Giovanni Battista de Marini, Baron of Bomba.”  Panel on Cultural Exchange and Transnational Encounter: Music, Art and Patrons.  Renaissance Society of America, Washington, D.C., March 2012.

“Victoria a Genova: Modelli e influenza.” Società Italiana di Musicologia, Genoa, Italy, 21 October 2011.

“Quae est ista quae progreditur: Marian Devotion for the Senarega Chapel in San Lorenzo, Genoa.”  Early Music Scholars Conference, San Francisco, CA., April 2010.

“Piety, Remembrance, and ‘The Good Shepherd’: A Gift of Sacred Music for the Doge of Genoa.”  American Musicological Society, Midwest Chapter, University of Kansas, Lawrence, KS., April 2010 and Sixth Conference in Musical Philology: Musical Philology Today: Historical Heritage and New Perspectives, Cremona, Italy, November 2009.

“Un regalo di musica sacra per il Doge di Genova: il Motectorum liber primus di Simone Molinaro.” Keynote address, Musica e arte nella Genova del ‘600, Provincia di Genova, Palazzo Doria-Spinola, Genoa, Italy, November 2009.

“A Late Sixteenth-Century Endowment for Music at the Cathedral of Genoa.” Società Italiana di Musicologia, Bergamo, Italy, October 2008.

“Recogitandis donis tuis: An Endowment for Music at the Cathedral of Genoa.” University of Cincinnati, College-Conservatory of Music, OH, May 2008.

“Symbolism and Rhetoric in Simone Molinaro’s Motectorum quinis, et missae denis vocibus, liber primus (1597).” Renaissance Society of America, Chicago, IL., April 2008.

“Intertextuality and Design in the Madrigali a cinque voci of Simone Molinaro.” Società Italiana di Musicologia, Chieti, Italy, October 2007.

“The Dedication as Petition: Simone Molinaro’s Motectorum quinis, et missae denis vocibus, liber primus (1597).” “Cui dono lepidum novum libellum?”  Dedicating Latin Works and Motets in the Sixteenth Century: Theory and Practice, Academia Belgica, Rome, Italy, August 2005.